the third and final part of the jacob f. desvarieux anthology on endless flight brings two more hot productions of the fabled french zouk veteran with roots in guadeloupe. the tune “rifyx” is taken from desvarieux’s 1985 album “oh madiana” and delivers arresting jazz-funk and zouk-suspense enlarged with touching horns, synth-enthusiasm and longing female vocals. the second song comes from the paris based, west cameroon born singer tala, produced by desvarieux for tala’s album “mother africa” in 1982. also here desvarieux tuned the synthesizers odd and edgy to let them dance with an afro styled rhythm. above all tala sings sexy with a chorus of girls while percussions go crazy and the sounds of horns are longing for the sky. on top of everything endless flight asked again the japanese producer kuniyuik to edit a desvarieux track. he chose “rifyx” and tuned it into an epic soulful eight minutes long dream house anthem that funks all dancers crazy. hotter than hot stuff here!

soulful rnb and hiphop by shai and intro to keep the party going!

30 no 1 hits , + bonus track * a little less conversation*

50th anniversary mono version on 180 gram vinyl.

london-based dj & producer dimension returns to the limelight this year with his highly-anticipated new single, ‘generator’. premiered via bbc r1 on friday by danny howard, theatmospheric and energetic cut follows on from one of 2016’s biggest underground d&b anthems, ‘uk’, in what has been dubbed his “strongest year to date” by annie mac. the rise of dimension has been nothing short of remarkable. with multiple best-selling and seminal anthems including ‘whip slap’, plus numerous remixes under his belt for the likes of chase & status, duke dumont, nero, emile sande and deadmau5, 2016 became a real turning point for the producer as it saw two of his singles, ‘automatik’ and ‘uk,’ crowned ‘hottest record in the world’ with annie mac on bbc radio 1. a thrilling and enigmatic producer who likes to let his music do the talking, dimension’s commitment to the sounds of the underground whilst still receiving mainstream success provides further impetus to deem him one of the most exciting artists of 2017. this year will see him undertake his biggest tour to date in australia and new zealand, return to amnesia for another season as a resident dj at together and hit the summer circuit once again at festivals including sw4, tomorrowland, snowbombing, sziget and creamfields.

d-operation drop is a 6-man crew from cesena, italy with a strong and growing catalog of sound system killers, from orthodox steppers to dubstep abstractions and strange hybrids of the two. recent releases on moonshine, artikal, and lion charge have cemented their position, and we are thrilled to invite them into the zamzam fold with two chunks of 140 weight. “warrior march” opens with a mesmerizing pad that immediately draws the unsuspecting into a unique soundworld and doesn’t let go til the runout groove. a smeared, chopping-block snare, deep subsonic rumblings, swung percussion, massed yet minimal horns make a darkly coiled track, menacing yet full of funk and movement. “sativa team” captivates just as deeply with fewer moving parts, loping drums and leaden percussion, churning bassline, chopped and glitched ja-voices and sound tape, and ominous, clipped horns that wobble with tape delay in a strange airless void. brooding yet cathartic, tripped out but fully physical, with both tunes d-operation drop display their total control over a restrained and powerful palette.

re:issue

on 7th august the godfather mike dunn presents an ep fuelled by a pumping heart of pure house, entitled ‘dj beat that shhh’ / ‘move it work it’. taken from his forthcoming album due for release in october 2017. both tracks capture mike’s essence, placing his trademark hip house booty style vocals and stripped-back, jacking drums centre stage. ‘dj beat that shit’ is classic, bumping 90s chi goodness updated with modern technology, whilst ‘move it, work it’ is a no-nonsence smoke and strobe throbber, that recalls the best of trax and dj international. for anyone who knows their shit, mike should need no introduction, but for those that don’t, he was highly influential in birthing the modern day dance music phenomenon, especially with tracks like ‘face the nation’, ‘god made me phunky’, ‘let it be house’ and ‘personal problem’. mike created hip house, dj’d with fellow legends ron hardy, larry heard and armando gallop, produced for house heroes armando, fast eddie and k-alexi shelby, and worked with the iconic voices of byron stingley and kym english. after a long absence from djing in europe, mike returned in 2015 to rock crowds at panorama bar, fabric, concrete, sub club and glastonbury, demonstrating why the chicago og is still very much in demand.

nigerian disco-funk from 1979 back on vinyl.

ft santana

a dark kingdom, erected from rubble, an arid production clashed with unstructured loops, some of which, though already used, are like reborn from their ashes in a climate of dull violence. jazz, soul, classical, gospel, lyrical grandeur, in an atmosphere of conquest or on a minimalist piano coming straight out of a thriller, the pair of rhyme-makers compete with any instrument, finale temperating by a laid and reflective flow the fiery fangs fel sinks on every bar. this kingdom, fel & finale, will have built it alone, fel sweetenberg taking charge of all the beats delivered to the duo s screened pages in ink, the door ajar only to let dj djaz introduce his turntable s tonearm to scarify the groove with his unique cuts. balancing the forces, bringing their ambition beyond the ill-famed streets that have already crowned them, finale & fel sweetenberg raise the matt colors of a demanding rap, the radiance of their banner now beyond the limits of a detroit-camden axis. two kings, two crowns. a reign: that of hip hop.

the pop world lost one of the most important soul singers ever to grace the world on 1st april 1984. marvin gaye has left behind a series of fantastic hits plus a big handful of tracks which deserve the title of masterpiece, all collected on this album.
pressing on black 180 gram vinyl, housed in a gatefold sleeve including 4 page booklet with liner notes and photos.

after the reception of “battle anybody” from luminaries like dj premier (#19 on his best of 2013 picks), dj evil dee, dj eclipse and more, dawhud and ace-one started working on a proper follow up to their emceeing anthem. one track turned into an ep which then quickly turned into a full length project. the project... d&g (david & goliath) - “the scepter & the sword” the concept for the group simply came from dawhud’s name (david in arabic) and ace-one, who was in the midst of fnishing up his “rapmonster” series. those two elements and the sheer chest pounding vibe of their prior track led to the creation of “david & goliath”. epic, biblical, and loaded with imagery that paints what the duo are trying to convey in just a name. produced entirely by dawhud, the duo trade verses over his landscapes to join forces and reign together. from the opening battle cry of “something’s coming” to the closing of their p-p-p-p-p-premier approved track, “the scepter & the sword” is a rap odyssey. assisting the duo on this legendary journey are emcees like masta ace, rock (from heltah skeltah), sadat x, kokane and pacewon alongside longtime friends/emcees joe harvey, jo and otomatik. with a title like “david & goliath”… legends should be involved. something’s coming…

let s face it, summer in new york city is sweltering. even with all the windows open and fans on high, it is hard to find refuge in alliance upholstery s chinatown offices. today s sweat though, is due to the -dancer on the shore- ep, the latest release by the brooklyn based band, lemonade (cascine/true panther sounds). -dancer- is a subdued summertime collage of steel drums, buoyant electronic pads and windswept vocals. joined by dee dee from dum dum girls, it is a celebration of the space where humans and nature exist in harmony. originally released digitally as a single on cascine in 2015, the band created a dj friendly extended mix for this release. if you have been to the -air a dancer- party over the last few seasons, you have likely already heard it (sometimes twice in one night!).

in 1999, the duo of dj t-rock & squashy nice formed in atlanta. squashy nice is an accomplished beats producer, and dj t-rock is a scratch-master responsible for battle records on the likes of bomb hip-hop records, stereo-type, and replicant music trading corp. together they released three party-ready instrumental hip hop albums for new zealand’s why records label. now based from coast-to-coast (squashy nice in new york and dj t-rock in los angeles), the duo has joined the cold busted family for their fourth album, the satisfying seventeen track back to the essence. showcasing the variety and breadth that squashy nices beats and samples and dj t-rocks scratches can provide, the tracks on back to the essence swerve from party rockers to soulful, thoughtful numbers featuring vocals from new zealand vocalist miss glue. among the standouts are the opening hit the breaks, combining harmonica, 60s style fuzz guitar, heavy beats, and some crucial vocal scratches, let them be, with miss glues lovely vocals providing a counterpoint to acoustic guitar cut-ups, and watch the clouds, featuring gentle piano, a loungey string section breakdown, and wistful vocals from squashy nice. back to the essence should be ingested whole, as its plentiful tracks radiate fun, funk, and good vibes. its like a virtual block party dropping down wherever its cuts are playing.

double sided crossover magic (i have been slacking on crossover records). douglas and lonero had a few releases, an lp a couple of 45s on columbia but there stand out (and rarest) 45 is this fantastic crossover 45 this time . what makes this interesting is that most copies of the original are demo copies which only have the track don t let yourself get carried away on it and cost around £50. the rare issue copy which is pretty impossible goes for £500+. not only does our new pressing include both tracks but we have gone back to the original master tapes and done a spanking 24bit transfer and a cut that sounds considerably better than the original 45, so now you can upgrade your o.g.

octo champ releases his second ep of 2017, following up on not quite there yet, which received major exposure from thump and dj mag. this upfront four-track release is a selection of dance floor ready disco and house and sits boldly apart from a lot of other music within these genres. dj support so far from dan shake and titeknots amongst others. taking inspiration from the more exotic corners of the musical spectrum the ep leads with the upbeat make heaven and its conga rhythms, vocal hooks and electronic patterns. cmi is slower and moves further into the groove whilst lacuna is the ep s funkiest cut, featuring a killer bass hook, percussion, guitar chops, claps and more vocals to carry it along. closing with a second four to the four track diametric leads with an elastic, acoustic bassline, synth pads and you ve guessed it: more vocal hooks. octo champ is one-half of dj/promoter duo rigid disco, running parties and radio shows across both london and glasgow and booking rising stars such as tom blip, fyi chris, hector plimmer and the rye wax crew. octo champ has remixed soundway s flamingods and chpln as well as contributing to the cdr x dimensions sounds 2016 project. most recently, his music was picked up by let s go swimming who released the not quite there yet ep.

a collection of 28 tracks from legendary chuck berry. 180 gram double vinyl in gatefold sleeve

the mission’s 1986 debut album back on 180 gram vinyl with download code included.

one of the most accomplished and celebrated bands in the field of contemporary, unclassified pop music. almamegretta are masters in combining a wide range of elements such as dub, funk, reggae, world and electronica, all filtered through their own deep southern italian roots. now let’s discover the dub version of ennenne. dub is a unique discipline. a strange and sometimes unpredictable music practice. it was just after the release of ennenne that we decided to take back the multi track recordings and start to rework the music through the mixer. in order to give a new shape to the project, we thought it was a good idea to invite some of the best producers and musicians on the dub scene. following a very natural process, our vision began to take the shape of an international all star event, including contributions from historical dub artists such as adrian sherwood, lee scratch perry, dennis bovell, and actual celebrities of today such as gaudi, vibronics, manasseh, khalab & messmorize, and mario conte one the most interesting producers on the italian experimental scene. a bunch of old and new friends with whom we share the same vision.

limited reissue on red 180 gram vinyl with download code included.

black 180 gram vinyl with download code included.

nice price deal !!! luxaflex 012 presents the alter ego from ian lehman, eidolon !! a great release in style of eidolons previous prints on weare, syndikaat, enemy and modern record company

one of the most important harmony groups in the entirety of jamaican music, the paragons have a long and complicated history. first formed in the ska years by bob andy and tyrone evans as the duo of andy and ronnie, the group soon expanded to a quartet through the addition of howard barrett and john holt, the latter naturally assuming lead duties, following the subsequent departure of andy, holt, evans and barrett made the paragons the quintessential rock steady trio. they had an incredible run of hits for duke reid and coxsone during the mid-to-late ‘60s, and also issued some self-produced work, before holt’s solo career skyrocketed, leaving the group on the back-burner. then, in the mid-1970s, the paragons reformed, cutting material for new york-based labels such as clocktower and clintones, which led to this intriguing album, which saw material recorded in jamaica at harry j for bunny lee mixed with work cut at bullwackie’s studio in the bronx, along with re-workings of classics such as ‘left with a broken heart’ and ‘memories by the score’ is a whole range of new material, dealing with contemporary themes.

nice price deal !!! rnb par excellence feat the 4 tracks electric, cant let you go, obsession and do it !

this is a journey into sound. a series of journeys across the globe, in-fact. this time with don leisure from darkhouse family. let us tell you a story. firstly, we first need to answer a question. who is shaboo? it began in africa. nasser barwani was the son of shabudin. at the age of 15, nasser (don s uncle) left kenya and hitch-hiked his way to london. nasser entered the movie business, occasionally finding himself in front of the camera, acting in bollywood films. it was then that nasser changed his surname to adopt a screen name - shaboo.
5 instrumental hip hop tracks, linked together in a truly unique style and fashion, this is much more than a beat tape. this is a journey into sound. for real.

the aristocrats were originally from bridgeport, connecticut, but came to philadelphia in 1973 where they recorded five tracks with bobbi eli at sigma sound studios. only one single was released, the philly classic “let’s get together now” on warner brothers records. original pressings can fetch up to £150. the expansion pressing here is extra special as the ‘b’ side “loving you is mellow” has never previously been released on 7” or vinyl. it is in fact the original version of a song later made famous by major harris but in it’s own right an exceptional piece of philly magic.

die reggae anthology-serie präsentiert zwölf ausgesuchte singles auf longplay-vinyl, die alle zwischen 1972 und 1985 veröffentlicht wurden. inklusive der beiden 12-inch maxi-single versionen -promised land- (extended mix), der in kooperation mit der renommierten uk-gruppe aswad entstand, und -children of israel- (special 12- mix), produziert von ossie hibbert. darüber hinaus gibt es seltene 7inch single a-seiten, die von jackie mittoo, niney the observer, phil pratt, herman chin-loy, joe gibbs & errol thompson, derrick harriott und dennis brown & castro brown produziert wurden. die aufnahmen wurden von den musikern der backing bands eingespielt: the taxi gang, the professionals, the now generation, crystalites. aggrovators, roots radics und soul syndicate. erstmalig erschien diese lp parallel zu dem 2cd+dvd set -crown prince of reggae- im jahre 2010 und ist jetzt wieder erhältlich!

nice price deal !!! 2005 release by kolombo for belgian strobe music.

badbadnotgood bedienen sich der einflüsse und inspirationen aus ihrer umfangreichen schallplattensammlung, verknüpfen soul/jazz unterschiedlicher generationen (von esther phillips bis thundercat) mit afrikanischen künstlern (kiki gyan, francis bebey, admas anchi) und exotischem pop aus estland (velly joonas) und frankreich (les prospection), vergessen dabei ihre kanadischen landsleute (river tiber, charlotte day wilson), heutige indiehelden (boards of canada, stereolab) und auch die klassiker (the beach boys) nicht. als besonderes bonbon enthalten ihre late night tales ein exklusives bbng cover des kanadischen singer/songwriters andy shauf sowie eine exklusive spoken-word-erzählung der ultimativen queen of siam, lydia lunch.

after some excellent digital releases on editorial and ism as well as a fantastic remix of kraak & smaak on jalapeno as one half of allovers we are very happy to release i gemin s debut vinyl ep on pressed for time entitled the let s move ep , it features two superb deep house numbers in the trademark i gemin style - chunky, hypnotic and soulful. we were big fans of both tracks here at pft hq so we got head honchos yse and goshawk on remix duties. yse reversions it s about trust in a tougher, trackier style with some mood ii swing-esque spoken word vocal on the flip goshawk gets his talons into let s move upping the tempo slightly and adding a bumping bassline whilst keeping the soulful vibe intact.

2009 starteten eamon harkin und justin carter ihre partyreihe mister saturday night. diese entwickelte sich innerhalb kurzer zeit zu einer feierinstitution und ist aus dem nachtleben new york citys nicht mehr wegzudenken. mittlerweile sind die beiden bei der 250sten veranstaltung angelangt, was ü³r die zwei kreativköpfe ein willkommener anlass war, eine mix-kompilation zusammenzustellen, die einfach mal den moment festhõlt. so finden sich auf -mister saturday night, then & now- einerseits dance-tracks der letzten acht jahre, die für die partyreihe prägend waren, andererseits groovende entdeckungen der jüngeren vergangenheit, die für harkin und carter zum ausdruck bringen, wohin die ekstatische reise bei den nächsten 250 veranstaltungen führen könnte ... mit auf der kompilation vertreten sind bekannte namen wie faltydl, kerrier district und dennis ferrer sowie soul bros. inc, esb und mystic pleasure.
das 3fach vinyl erscheint inklusive downloadcode.

with spring well and truly in the air and party season in step, mosaic records boss steve o sullivan launches mosaic s 38th release - joining forces with fellow londoner frazer campbell for a new studio collaboration. not content with letting the dust settle from his recent work alongside ricardo villalobos, o sullivan has stayed a little closer to his london home to work with frazer campbell for this latest tag team effort. a dextrous hand in the mix and producer in his own right, campbell has a passion for all things that sit on the deeper end of the house, techno and electronica spectrum. in his own words, thought emoting music is central to his mission having launched open recordings and elliot project records last year: a worthy sparring partner indeed. since the start of the year, the pair had their heads down focusing on finding a happy medium between deeply swung grooves and the airy influences of detroit - shaking out an interesting trio of tracks for their label debut. far from treading the obvious path, the main event a1 hypnotonic revels in a lighter touch as metronomic beat programming cycles endlessly to a held set of notes. off-kilter bass pulses, warped out vocals and effect splashes all intersect to keep the energy input constant as they capture one of those less frenzied moments where the very notion of time seems to hold still. make no mistake, this is a slow burn vibe. head to the flipside b1 soultonic to plunge yourself straight into hip twitching mode when the lights go down. a deep chord, syncopated hats and deftly tweaked synths echo as a full dose of shuffle inflicts its move. simple yet so effective, this track will not let you down. winding things back up a touch, the tougher edge of alleyway funk pushes the feeling on thanks to a thumping kick and a deft nod towards uk garage. met with a soft glisten of a rhodes piano and tweakish melody, the pair round things off in a boyant mood - fans of soul capsule and schatrax will no doubt agree. repeat play of this ep is recommended as its all the more rewarding for it.

nyc s disco powerhouse west end records should need no intro. the home of too-numerous-to-list club classics for over 30+ years is still impacting today on what we know to be club culture. the label started by one mel cheren (rip) with assistance from larry levan and more way back in 1976 is still held in such high regard today with it s catalogue constantly being played, rediscovered, reinterpreted and loved by waves and waves of new fans and admirers. the west end story vol. 4 is an essential overview of this most iconic of labels and some of it s more under the radar output, following on it s from it s predecessor the quality bar is obviously set extremely high, one only has to look over the tracklist to see the names and titles that are included! rare and overlooked cuts from taana gardner, sparque, forrrce, inez brooks and more make up 4 joyous sides of essential forward looking post disco classics - we re talking late 70 s, early 80 s, synths, mega overdubs, left-field arrangements and anything and everything in-between. a truly golden era of dance music history, names like tom moulton, francois k, tee scott and more make up some of the talent featured on this flawless selection of goodies. oh, and for the record (no pun intended) these are all the extended mixes, 12- versions and special cuts, all killer - no filler! all tracks featured re-mastered, re-pressed and re-released with the permission of and in conjunction with west end records, new york city / bmg.

boss soul, funk and r&b sides from the vaults of the king, federal and deluxe labels. available as a double lp for the first time. specially compiled and commented by nyc dj mr. fine wine, from his personal favourites list from the king records catalogue. including ultra-rare tracks by wayne cochran, lord thunder, jeb stuart, robert moore, frank howard & the continentals, leon austin, eddie kirk, charles spurling, james duncan, and many more.

sfsb recordings welcome mr hot mood to the stable for our second release, following his previous releases on tugboat edits, editorial, masterworks, deep sense an whiskey pickle records. side a s lets get it and lost soul head toward the deeper side of mexico s finest, with -let s get it- looping itself into an underground frenzy before releasing the crowd into a classic 1970s chant and them throwing them over to a killer organ hook, a must for 4am. -lost soul- takes you even deeper in to the realms of 70 s soul, bringing it into the 21 century with its beefed up lick - i wanna hold on, and let my love grow strong-, reminiscent of the original mark e working that helped start the movement. side b ôthe g groove- proves to be another early set summer anthem, completely heads down whenever it gets played, while -keep on dancing- does exactly what it says on the tin. the hardest track of the ep is left till last, with its -keep on dancing- call to arms for the dance floor reinforced by a destructible sax loop, it should be called martini, anytime anyplace anywhere. these tracks definitely reflect the sounds of south beach, produced with love by hotmood, curated by south beach recycling. dj support: session victim, sleazy beats, art of tones, dave allison, 80s child, disco tech, black loops,78 edits, homero espinoza, martin hayes, dj moar, coeo, osmose

we ve waited a long time to bring you this, and finally, tiger stripes presents the 6th release on his strange idols label, and what a track this is, so worth waiting for! from its beginnings as a moodymann secret weapon, you could already hear the potential for underground techno greatness. running is both haunting and seductive... underground but strangely familiar... artificial but still organic...a living breathing techno organism...a creature of the dark.... a siren s call... let yourself be drawn in, let the voice seduce you... surround yourself with that rhythm... drown yourself in that groove...! san proper heard it a little differently and gave us his take on it, and gave life to a different kind of monster, way too powerful to contain. so we give you two different versions that share the same fundamental dna, two versions that are both so completely unique but still two equal parts of the same fantastic organism. strange idols will lead those who are willing.

following on from this year s brooding debut, anthony linell gathers a storming double 12- of material to depth charge vacant participants and lilting movers. leaving aside his well established abdulla rashim moniker, emerald fluorescents feels like an agile side-step into heavier terrain with a renewed sense of purpose. scattered fractal stabs revolve around quietly furious low-end fit outs with enough sharp edges to let you know it s someone else s space.

athens of the north and symphoncal records are proud to present the long lost raw soul express lp in a special limited vinyl only release. mastered personally from the original tapes with love. if you dont know what this is then you re in the wrong game, the lp also includes the full previously unreleased version of their rare-groove and surprisingly rare club classic the way we live in its full intended format. solid ballads are what makes the lp for me but there is not a bad track on there, boogie, funk and rare-groove, blink and it ll be gone.

modem:39 is booted and connected. main task: linking components like friendship, art and communication. this sustainable mixture results in label artist tommes first release on solid 180g black gold. the a.r.l.t. ep represents a thoughtfully crafted selection of analog sounds, inspired by classic house music. tommes, being a part of eastern germany s underground scene since 20 years, demonstrates his unique style with four timeless tracks. his passion for dubby sounds and chords echoes through the whole ep – solid deepness incoming!

mcdrive is a bass line driven tune, full of versatile, warm synthie-melodies and catchy percussions. its length offers great mixing possibilites.

let s get smooth and dreamy on the „stendalsunsetboulevard“. a beautiful piece for any occasion.

side b features two more linear and straightforward tracks. -deeples“ hypnotic dub-groove creates a very profound depths. club approved!

cheerful house roller „deemin goes- glares with atmospheric pads and a punchy bassline - perfectly rounding off an honest solo-ep.

the ep is limited to 300 editions with a handcrafted cover artwork - 50 of them comes in a special black and white edition, 250 copies in decent black artwork.

folamour represents the present and future sounds of the disco/house hybrid, staying true to the glitterbox sonic philosophy. his tracks share the same production values as the timeless records from classic disco imprints in the late 70s, melodies are super-tightly harmonised, instrumentation is lively and the rhythms are designed purely for dance. ‘the power and the blessing of unity’ is almost a mini album, exploring all the facets of folamour’s sophisticated house and disco tendencies. the title track sparkles with brass stabs and a textbook swinging disco beat, ‘island of recent father’ breaks things down into synthy house goodness, ‘let’s grab some smokes’ channels a more contemporary low-fi sound and bringing it home with ‘home beyond the clouds’, folamour closes with uplifting house hooks and percussion. it’s a real trip.

axter and barnett, creators and founding members of four313, now have a second four313 release and this time out the dynamic duo unleashes a well-rounded, four track vinyl ep. side a has two songs produced by blake baxter with a1 being a detroit house styled tune titled “agape”, featuring blake s classic, soft-spoken word style. a2 is a party starter, big room, dance-floor filler appropriately titled “let s get it started”. side b has two tracks produced by thomas barnett with b1 aptly titled -mandela effect”, this is a detroit techno styled track with barnett s signature bassline sound. b2 is titled “magnetofunk” & has a vintage feel that uniquely transforms into a modern day, prime-time groove, a must have for djs. blake and thomas are setting their sights on touring as the dj unit -four313- in the fall of 2017 with the theme & tour name, “reconstruction”. their concept is one which supports new artists and incorporates them into future four313 releases, four313 s purpose is to come together as artists, to reconstruct their past, present, and future while building a new beginning.

tatham, mensah,lord & ranks let you down when if you love boogie, funk and that good groove then the answer is never. yet another twelve inch proving their consistency.an obvious buy on sight release. includes the cover version on grace joness private lives

after only 3 short years, my second album o u r w a l l s is out. it comes clad in vinyl, polycarbonate, bits and bytes and i’m very happy and relieved to finally let go of this one. the cores of its 10/11 (cd/2lp) tracks were developed on a loop pedal at home. lyrics spun here and there. almost all of them are trying to extract levels of meaning from an everchanging knot of emotions. they take their time - ranging between t h r e e m i n u t e s f o u r t y to t h i r t e e n m i n u t e s f i f t y s e v e n - to clinically isolate, examine and name the elementary building blocks constituting the knot. o u r w a l l s is about the ups and downs of your everyday-mercilessly-hopeless love relationship, about staying mild when things get rough, fabulous metaphors, childish selfdefence mechanisms, the burning space in b e t w e e n words and o u r very personal w a l l s that have so far always kept us safe..

we’re excited to announce the first in a series of rare nigerian releases we’re putting out with the help of uchenna ikonne. sjob movement’s friendship train was the second lp by the group and one which saw the group rise to new heights. it’s a masterpiece of african music with it’s fluid afro beat grooves and spaced out moog synthesizer sounds.

double 12 inch vinyl in gatefold sleeve.

sometimes amongst all the music that we hear every day, something comes along so unique and brilliant that its captivates your mind and soul and refuses to let go. that was exactly what happened when we first heard dokta - the ex-studio engineer with the freshest take on electronic music we have heard for a long time. fusing a fully analog working method & live instrumentation with a breathtakingly unique arrangement style, dokta combines all his experience working with some of the best in the business and transcends it into one hypnotic stream of genre defying mastery. for his first ep on 20/20 we are fortunate enough to have remixes from fabric resident jay clarke, and a collaborative contribution from seth troxler and bas ibellini. it is a major milestone for 20/20 to finally have a seth troxler production on the label. he has been a great inspiration for us and hugely supportive of our output over the years. seth went into the studio with good friend bas and came out with a remix worthy of dokta s long abstract arrangements. we hope you enjoy, and with an album in the pipeline for later this year we promise there is a lot more to come

29 songs from the movie “baby driver” on 180g double vinyl in gatefold sleeves. which includes the bonus song “chase me” by danger mouse featuring run the jewels & big boi.

*god is a dj* - need we say more? on sunday 8pm, maxi jazzs reverent flow managed to produce -god is a dj-, not just a dance anthem, but a hymn of majestic proportions. sunday 8pm is a prime example of dance music at the peak of its popularity, but dont let nostalgia fool you, this album still stands today even in one of the most changing and evolving music genres we know. pressing on 180 gram audiophile double vinyl.